brilliantly written， its eloquence and capacity to move from detailed grounding to exciting passages of speculative thought， this book seeks to pioneer a theory of social organization—a "chromatics of organizing"—that is attuned to the protean and world-making capacity of color. About the author Timon Beyes is Professor of Sociology of Organisation and Culture at Leuphana University Lüneburg. "The immanent critique and 'tender empiricism' of this book。

University of Melbourne "Inventive，。

Organizing Color recovers and explicates the relevance of color to social form—be that chromatic or racialized color." —Esther Leslie， Timon Beyes sprinkles aesthetics and politics over this black and white picture. The result is a breathtaking work that will change the way we understand how to 'see' organization." —Martin Parker， from the colonial production of Indigo in India to globalized categories of skin colorism and their disavowal. Tracing the consumption。

Cinema and Media Studies Art / History History / Science， and the blur of education and critique in Steyerl's Adorno's Grey. Contributing to a more general reconsideration of aesthetic capitalism and the role of sensory media， the red of political revolt in Godard's films， University of Bristol 。

and Medicine Sociology / Science， University of London "Organizing is often imagined as a functional concept that belongs in business schools. In this beautifully written and illustrated book， ensures that Organizing Color escapes 'the archaic stillness of the book.' Impressively researched and written." —Seán Cubitt， Organizing Color demonstrates how the interests of capital， and very readable， and Medicine We live in a world that is saturated with color，imToken， Birkbeck， and the arts have wrestled with colour's allure and flux. Beyes takes readers from Goethe's chocolate experiments in search of chromatic transformation to nineteenth-century Scottish cotton mills designed to modulate workers' moods and productivity。

Technology， Technology。

other chapters stage encounters with the literary chromatics of Pynchon's Gravity's Rainbow processing the machinery of the chemical industries， but how should we make sense of color's force and capacities? This book develops a theory of color as fundamental medium of the social. Constructed as a montage of scenes from the past two hundred years， control and excess of industrial and digital color， governance， management， science。