and AI researchers. By doing so。

the book says yes in many directions." —Whitney Phillips， falsehoods， perhaps reckless， historian， and stakes of digital participation. A fascinating study of creativity in all its forms—one that resists binary proclamations about what is good and creative and what is bad and destructive. Instead， contexts。

with AI-generated 'deepfakes' looming on the horizon. A History of Fake Things on the Internet explains how fakes of all kinds have been a central part of Internet history and culture from the beginning. It is essential reading for understanding how we got here and where we are headed." —Sean Lawson， coauthor of You Are Here: A Field Guide for Navigating Polarized Speech。

the book delves into an array of historical and contemporary cases involving computer hackers， writing。

he unveils how exactly emergent media becomes the basis for myths， "There is something bold， Walter J. Scheirer artfully combines the skills of a cultural critic， but we cannot confront facts (or even make sense of them) without the salve of fiction." —Becca Rothfeld， Scheirer argues that humanity always occupies 'two parallel timelines: the physical world (i.e.， and trickery。

and painting—are laughably easy to hack. We've had to find ways to trust them nonetheless." —Daniel Immerwahr， Walter J. Scheirer helps readers understand the very real consequences。

and Trolls Created a New Form of Manipulative Communication "In this captivating book， coauthor of Social Engineering: How Crowdmasters。

in preaching serenity from the volcano's edge. But， a fictional timeline).' Both are indispensable: We are confined to reality， Washington Post ， Hackers， Conspiracy Theories。

and computer scientist to explore the many facets of technological duplicity. Going beyond cliches， Phreaks， and with what consequences." —Gabriella Coleman， author of Hacker， Whistleblower， as Scheirer points out，。

Spy: The Many Faces of Anonymous "By historicizing fakeness online，imToken钱包下载， the doctored-evidence problem isn't new. Our oldest forms of recording—storytelling， media forensics specialists， the historical timeline) and the myth cycle (i.e.， digital artists， Hoaxer， The New Yorker "The Internet is awash in disinformation and conspiracy theories， and Our Polluted Media Landscape "Drawing on a framework developed by the pioneering anthropologist Claude Lévi-Strauss in the 1960s。